Quick Answer: WaveHire hires professional wireless broadcast equipment in London across three ranges - CC-LINK for wireless camera control and IP data, FLEX for wireless broadcast video, and VITA for wireless video monitoring - with 10 products available from £50/day and same-day collection from our London facility.
10 items found
Long-range professional 5 GHz wireless video system with ultra-low latency, enhanced multi-antenna…
Long-range professional 5 GHz wireless video system with ultra-low latency, enhanced multi-antenna reception, HDMI/HD-SDI connectivity and OLED monitoring.Compact ultra-low-latency 5 GHz wireless video system supporting HDMI, HD-SDI, embedded audio, meta…
Compact ultra-low-latency 5 GHz wireless video system supporting HDMI, HD-SDI, embedded audio, metadata and record trigger transmission up to 300 metres.Compact professional 5 GHz wireless video transmitter with HD-SDI loop output, embedded audio, meta…
Compact professional 5 GHz wireless video transmitter with HD-SDI loop output, embedded audio, metadata, record trigger and OLED monitoring.Compact wireless video receiver with internal antennas, HDMI and 3G-SDI outputs for directors, focu…
Compact wireless video receiver with internal antennas, HDMI and 3G-SDI outputs for directors, focus pullers and portable professional monitoring.Professional ultra-low-latency wireless video and IP data transmission system with dual-band operat…
Professional ultra-low-latency wireless video and IP data transmission system with dual-band operation and integrated Ethernet connectivity.Ultra-low-latency wireless video and Sony camera-control solution with dual-frequency operation for…
Ultra-low-latency wireless video and Sony camera-control solution with dual-frequency operation for demanding broadcast and live production workflows.Ultra-low-latency wireless HD video, IP data and Sony camera-control system engineered for professi…
Ultra-low-latency wireless HD video, IP data and Sony camera-control system engineered for professional broadcast, ENG, sports, concerts and live production.Combined wireless Sony camera control and IP data solution for studios, sports venues, live product…
Combined wireless Sony camera control and IP data solution for studios, sports venues, live productions and large broadcast environments.Professional wireless Sony camera-control system supporting full Sony 700 protocol operation, remot…
Professional wireless Sony camera-control system supporting full Sony 700 protocol operation, remote shading and RCP-1500/RCP-3500 workflows.Reliable low-latency wireless IP connectivity for professional broadcast cameras, control panels an…
Reliable low-latency wireless IP connectivity for professional broadcast cameras, control panels and network devices, with dual Ethernet interfaces and IP camera-control support.Ten Systems, Three Ranges
Every wireless link between a camera and the rest of the production chain has a specific job. Some carry video. Some carry control data. Some carry network traffic. Some carry all three. The ten systems in the WaveHire range are built around that reality - each one doing what it does with precision, and each one sitting in a range that makes it straightforward to match the right system to the actual requirement of each camera position.
There are no general-purpose systems here. There is no single unit that is the right answer for every production. What there is: three clearly defined product ranges, each built around a specific function, and within each range a set of systems that scale to the size and complexity of your production.
The CC-LINK range carries wireless Sony camera control and IP data between camera positions and the production network. These systems do not transmit video. Their function is the control and data layer that broadcast engineers need to manage cameras and network-connected devices at positions where running physical cable is impractical or impossible.
Wireless Ethernet bridge carrying IP data between camera positions and the production network. Dual LAN ports, up to 1 km range, 150 Mbps throughput, WPA2 encryption. For any IP traffic that would otherwise require a cable run: tally, diagnostics, configuration, file transfer.
View CC-LINK IP detailsFull wireless Sony 700 protocol camera control. Your shader operates from an RCP-1500 or RCP-3500 panel over a wireless link with up to 1 km range, dual-frequency 2.4 GHz and 900 MHz operation, and AES encryption. For productions where Sony shading control needs to reach camera positions without a cabled control return.
View CC-S700 detailsSony camera control and IP data on one wireless link. Replaces the CC-S700 and CC-LINK IP with a single system per camera position at a lower combined daily rate. For productions where both functions are needed at the same camera position.
View CC-LINK COMBO detailsThe FLEX range carries HD-SDI and HDMI video at sub-1 millisecond latency over 600 metres on dual-band 5 GHz wireless. Each system adds different capabilities alongside the video depending on what your camera positions require.
HD video and IP data on one link. Camera positions get a video feed to the truck and wireless network access simultaneously. 150 Mbps IP throughput, 2 x HD-SDI and HDMI at the receiver, V-Mount and Anton Bauer power.
View FLEX IP detailsHD video and Sony camera control on one link. Vision mixer and shader both receive their signals over the same system simultaneously. Triple-frequency operation (5 GHz, 2.4 GHz, 900 MHz) and 128-bit AES encryption.
View FLEX S700 detailsHD video, IP data, and Sony camera control on one link. The most capable system in the range and the most cost-effective when all three functions are needed at the same camera position. Transmitter 132 x 100 x 26 mm at 450 g. Receiver 163 x 97 x 26 mm at 550 g.
View FLEX Fusion detailsThe VITA range carries wireless video for on-set monitoring. These systems do not carry Sony camera control or IP data. Their function is putting a real-time camera feed on a monitor at any point on set, at sub-1 millisecond latency, without a cable between camera and screen. All VITA systems carry camera metadata and record trigger alongside the video.
Complete TX and RX kit for long-range wireless monitoring. Up to 600 metres, enhanced multi-antenna reception, 2 x HD-SDI and HDMI at the receiver.
View VITA PRO System detailsComplete TX and RX kit for standard on-set monitoring. Up to 300 metres, compact 260 g transmitter and 240 g receiver, HD-SDI and HDMI output. Suitable for gimbal, drone, and crash-cam use.
View Vita Lite System detailsStandalone TX unit for adding a camera to an existing monitoring setup or pairing with a separately hired receiver. HD-SDI loop-through, metadata, record trigger, 5.1 to 5.9 GHz OFDM, 260 g.
View Vita Transmitter detailsStandalone RX unit for adding a monitoring point. Internal antennas, HD-SDI and HDMI output, 240 g. One transmitter feeds multiple Vita Lite Receivers simultaneously. The most cost-effective way to scale wireless monitoring to additional crew members and clients.
View Vita Lite Receiver detailsThe right system depends on what your camera positions need to send and receive - use the comparison below to identify the correct range, then browse the individual products for the specific system within that range.
| Range | What it carries | From | Best for |
|---|---|---|---|
| CC-LINK | Sony camera control and IP data - no video | £100/day | Broadcast engineers needing wireless control and data at camera positions |
| FLEX | HD video with options for Sony control and IP data | £175/day | Full broadcast camera links for OB, sports, live events and studio |
| VITA | Wireless video monitoring - no control or data | £50/day | On-set monitoring for directors, focus pullers, clients and production |
The right system for your production depends on three things: what your camera positions need to carry wirelessly, the distances involved between camera and control room or monitoring point, and the RF environment at your venue or location.
The right system depends on what your camera positions need to send and receive, not on a general preference for one product over another.
If your camera positions need Sony shading control only and video is handled by triax or another wireless link, the CC-LINK range covers it from £100/day.
If your camera positions need HD video wirelessly, the FLEX range carries it from £175/day, with options to add Sony control or IP data to the same link.
If your production needs wireless monitoring on set and you do not need broadcast-grade video transmission or camera control, the VITA range covers it from £50/day.
If you are not certain which system fits your production, our team will advise based on your specific camera setup, distances, RF environment, and what the camera positions need to do.
WaveHire equipment is used by broadcast engineers, DOPs, camera operators, focus pullers, RF coordinators, and production companies across outside broadcast, live sports, concerts, studio production, ENG, and film and TV production throughout the UK.
The equipment on this page is hired by the people who plan and run broadcast productions: RF coordinators building a frequency plan across a venue, broadcast engineers specifying kit for an OB truck, camera shaders confirming a wireless control budget, and production managers sourcing a complete camera package for a multi-day shoot.
Whether you need a single VITA transmitter for a documentary crash-cam or a full multi-camera CC-LINK and FLEX build for a stadium outside broadcast, the same ten systems on this page cover it - sourced, tested, and ready to collect from our London facility.
Browse the equipment, add items to your enquiry, and share your dates - our team confirms availability and quotes within the hour, with same-day collection available from our London facility and every item technician-tested before dispatch.
Every piece of equipment in the WaveHire range is tested by a technician before dispatch. We do not put untested kit in a case and ship it. For video systems, we test on a live HD-SDI signal. For camera-control systems, we test on a live camera-control link and verify protocol handshake and control response. For monitoring systems, we pair transmitter and receiver and verify signal at rated range.
If collection isn't practical, we arrange delivery to your venue or production location instead. At the end of the hire, equipment returns to us for re-test and re-prep before it goes out again.
If anything goes wrong on set or at a venue, our support team has direct broadcast production experience. They have been on the floor of an OB truck and on a studio floor. They understand what a failed wireless link means during a live transmission and they respond accordingly.
Contact our team to talk through your build, or read more about WaveHire.
Renting from a single specialist supplier means every system on this page has already been matched to the others - CC-LINK, FLEX, and VITA units share connectors, power standards, and RF planning conventions, so building a multi-system kit list for one production is straightforward rather than a compatibility exercise.
Ownership ties up capital in equipment that sits unused between productions. Hiring the full range as needed - three CC-LINK systems for one job, four VITA units for the next - means your equipment cost tracks your actual production schedule instead of a fixed asset sitting in a store cupboard.
Every system across all three ranges is technician-tested on a live signal before it leaves our facility, with same-day collection and full insurance included. That standard applies whether you are hiring one Vita Lite Receiver or the full ten-system range for a major live broadcast.
WaveHire currently stocks ten wireless broadcast systems across three product ranges. The CC-LINK range covers wireless Sony camera control and IP data with three systems from £100/day. The FLEX range carries HD broadcast video with three systems from £175/day. The VITA range provides on-set wireless monitoring with four systems from £50/day.
Yes, and on most outside broadcasts and larger productions that is the norm. A typical setup might combine FLEX systems for wireless video from camera positions to the OB truck, CC-LINK systems for IP data on camera positions not covered by the FLEX range, and VITA systems for on-set monitoring during pre-production and rehearsal. Our team can advise on the most cost-effective combination for your specific production.
The CC-LINK range carries Sony camera control and IP data only - no video. The FLEX range carries HD video plus options for Sony control and IP data, built for broadcast transmission. The VITA range carries wireless video for on-set monitoring only, without camera control or IP data. Each range is designed for a specific function rather than being a general-purpose system.
Same-day collection is available from our London facility. If you confirm your booking before midday, you can typically collect the same afternoon. For planned productions, we recommend booking 48 hours ahead to guarantee availability across the full equipment list.
Yes. Every system is tested on a live signal before dispatch regardless of how recently it was last used. Video systems are tested on a live HD-SDI signal. Camera-control systems are tested on a live control link with protocol handshake and control response verification. Monitoring systems are tested as transmitter-receiver pairs at rated range. No equipment leaves our facility without passing these checks.
Contact our team with your production details: what type of cameras you are using, how many camera positions, what distances between camera and control room or video village, what the camera positions need to send or receive, and what your RF environment is like. We will recommend the right systems from the range and build the most cost-effective equipment list for your production.